vinilli

Wammer
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About vinilli

  • Rank
    Wammer
  • Birthday Private

Personal Info

  • Location
    London
  • Real Name
    Chris

Wigwam Info

  • Turn Table
    scottish
  • Tone Arm & Cartridge
    danish
  • SUT / Phono Stage
    english
  • Digital Source 1
    english
  • Pre-Amp
    english
  • Power Amp/s
    english
  • My Speakers
    french
  1. vinilli

    scalford impressions from a noob

    Hayward, sorry if I offended. I didn't mean to. As I said in my post : "There were other good rooms and some I didn't like (but to each their own taste). But all exhibitors deserve praise, as well as the professional organization. " And I also recognize the enormous and non trivial effort of building that system In the end it all comes down to personal taste, but in the interest of the Wam, I will refrain in future from critical comments.
  2. vinilli

    scalford impressions from a noob

    Geoff, unfortunately I stayed too short to hear lots of music but did pick up on Jon Martyn (one bell I believe) whom I had never heard of before. Excellent. I see you also have 104''s (KEF I presume). Another speaker I liked at the show. To me it seems wide baffle large diameter bass speakers are more dynamic and have more meat on the bones than narrow (multiple) small bass anorexic high floor standers.
  3. vinilli

    scalford impressions from a noob

    First time at Scalford, not my last. General impressions: Everybody I met very friendly. No exhibitor refused to play my left field music. Size, cost, price and age of system has no correlation to quality. Managed to see/hear almost all rooms, would have liked to return to some for more in depth hearing. My biases: pefer vinyl but accept good digital, scale and dynamics important, more so than soundstaging/imaging. Push pull valves and class a transistor, but also good class ab transistor if not harsh. My faves: Gun room with heavily tweaked old Urei studio speakers: Scale and dynamics galore Impulse horn speakers in rooms 208 (Brumjam) and syndicate 24 (crimsondonkey and bolts), the latter with DIY crossovers. JBL 96's in room 211 (oldius and it cost how much) driven by excellent classic Lentek amp and TEAC CD with proper DAC. I could have stayed there all day. Of stuff you can actually buy new the ART Alnico 8s impressed me most (syndicate room 23, maverick and 68 rednose) driven by excellent valve pre Audio Research) and solid tranni amp (SIM Moon) with Linn Sondek and an Axiss as vinyl sources (both good). Heco Direct speakers in syndicate room 21 showed promise, but couldn't deliver on my music, which is dynamically very demanding (Blue Man Group). This could be due to the 10 watter vale amp from Puresound running out of power/control. My experience with speakers with big bass cones is that they need an amp with lots of control and sufficient power, even if on paper they don't due to sensitivity. All good sounding large cone speakers above were powered by strong transistor amps. Surprise of the day: Room 205 playing classic KEF 104's driven by a modest pioneer amp. Excellent sound. According to the exhibitor (greybeard) inherited from his father and not modified/repaired. Vintage MF digilog dac. Just shows there is no correlation between cost age and quality of a system. Special mention to lodgesound reel to reel with vintage bbc active (quad 404 amps) speakers. Most relaxing but not boring sound . Klangfilm vintage horns in Lenco heaven room were great as well. Not hifi (too rolled off for that) but beautiful coherent sound. Which is something the room below(Colman behind reception) with a massive actively driven multiple horn system, 5 figure turntables and amplification etc. didn't manage. I went there 3 times, dull once, good once, very disappointing third time. Too much complexity is dangerous! There were other good rooms and some I didn't like (but to each their own taste). But all exhibitors deserve praise, as well as the professional organization. I will have to return next year.
  4. vinilli

    Scalford 2016 impressions

    This is my first post on this forum, so be kind. I made the trek to Scalford Sunday morning, arriving just after opening. Friendly people at entrance. After i looked at the program and asked for directions, they patiently explained the rabbit warren that is Scalford. In fact all people I met were friendly. Not a single exhibitor refused to play my left field music. All I had to do was to ask if they took requests and the answer was always yes. The variety on show was extraordinary. I managed to visit almost all rooms but it would have been great to return to some for more insight, unfortunately time ran out. General impressions: There is no correlation between age, cost or price of a system and quality. In fact some of the best rooms were vintage, DIY or (relatively) low cost affairs. All of the exhibitors deserve applause, whether I liked the system or not, because it was obvious they all made the effort and after all personal differ. Just to clarify my tastes: I like music to sound live. Skale is important to me. I like neutrality but don't like aggressive treble. On the other hand dull rolled off treble doesn't do it for me. I prefer vinyl but ther is some good digital around. Tubes have a certain magic but so has cla So here is my list of highlights